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"Go on, Nolly," says Doatie. "Oh, it wasn't much," says the young man, easily; "and he needn't have cut up so rough about it. I was a failure, of course, but I couldn't help it; and, after all, I had a real good time in spite if everything, and enjoyed myself when there down to the ground." "What have I said?" she asks, half plaintively. "You laugh, yet I did not mean to be funny. Tell me what I said.".
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"Never mind Larry," says the farmer, impatiently. "This is the seventh time he has died this year. But think of Misther Rodney here. Can't ye do something for him?" When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "Oh, do take care!" cries Mona, in an agony: "it is loaded. If you throw it about in that rough fashion, it will certainly go off and do you some injury." Geoffrey is quite dumb, and stands gazing at her surprised at the amazing change a stuff, a color, can make in so short a time. Beautiful she always is in his sight, but he wonders that until now it never occurred to him what a sensation she is likely to create in the London world. When at last he does give way to speech, driven to break his curious silence by something in her face, he says nothing of the gown, but only this..
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